Arte e Cultura
Artmarket.com: Is it better to sell a masterpiece in the provinces? Artprice looks at the Top 5 sales outside the art market's capital cities
Like the Toulouse Caravaggio, Guido Reni's was found by chance in Toulouse, where it will be sold by Marc Labarbe on 28 January 2021 and is unlikely to stay there very long. And indeed (we ask) what exactly would be the logic of trying to sell it in New York , London or even Paris when the painting obviously interests numerous collectors and museums all over the world?
In recent months, American buyers have been the best clients for Eric Turquin's findings: the Toulouse Caravaggio appears to have joined Tomilson Hill's collection; the Cimabue from Senlis has gone to the Alana collection and the Master of Vyssi Brod from Dijon now belongs to the Metropolitan Museum of New York .
Sending an artwork across the Atlantic and engaging the services of a major auction house entails massive costs which cannot always be justified today. The lockdowns have accelerated the switch to online of a whole section of the auction market and this trend is somewhat undermining the logic of maintaining large sales structures in the centres of the art market's major capitals.
The prestige of a major auction house and a large city undoubtedly helps to attract international demand. But is all this "staging" really necessary? This question is to a certain extent a question about the 'efficiency' of the art market: put another way, does the of a work depend on the of its sale? Whatever the answer, it seems fair to say that a certain degree of correlation exists between the two.
Although scheduled to appear in a sale of in the south of France , Guido Reni's has been the subject of a very specific examination, the details of which have been presented in a dedicated catalog. Marc Labarbe (the auctioneer) and Eric Turquin (the appraiser and valuer) are clearly confident that having conducted all the necessary research and having publicized the sale around the entire planet, the work no longer needs the support of prestigious Anglo-Saxon houses to attract the most likely international buyers.
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1. Cimabue (XIII), - $26.8 million 10/27/2019 - Hotel des Ventes de Senlis.
2. Francesco Guardi (1712-1793), - $14.9 million , 12/01/1989 - Sotheby's, Monte Carlo .
3. Raden Saleh (1814-1880), (1855) - $11.1 million , 01/27/2018 - Jack-Philippe Ruellan , Vannes.
4. Marc Chagall (1887-1985), (1978) - $10.8 million , 06/21/2002 - Kornfeld Galerie & Cie, Berne.
5. Frans Francken II (1581-1642), (1635) - $9.5 million , 04/21/2010 - Dorotheum, Vienna .
* New York , London , Paris and China
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