WAVE: Currents in Japanese Graphic Arts - Vibrancy and Variety in 2D

Presenting an eclectic assembly of artistsWAVE: Currents in Japanese Graphic Arts presents the work of artists who have emerged during multiple waves in the history of Japanese print culture since the late 20th century – their ages ranging from early twenties to late eighties. Tanaami Keiichi (b.1936) is known for his colourful images inspired by war, dreams and pop culture and has been active since the 1960s. The bold, humorous work of Yumura Teruhiko (b.1942) is associated with indie manga magazine GARO, first popular in the 1970s and '80s. Works by younger artists include the photorealist stylings of Yukishita Mayu (b.1995), and the hyperrealist art of Tomozawa Kotao (b.1999).

Tokyo, 24/05/2023 (informazione.it - comunicati stampa - arte e cultura)

presents the work of artists who have emerged during multiple waves in the history of Japanese print culture since the late 20 century – their ages ranging from early twenties to late eighties. Tanaami Keiichi (b.1936) is known for his colourful images inspired by war, dreams and pop culture and has been active since the 1960s. The bold, humorous work of Yumura Teruhiko (b.1942) is associated with indie manga magazine , first popular in the 1970s and '80s. Works by younger artists include the photorealist stylings of Yukishita Mayu (b.1995), and the hyperrealist art of Tomozawa Kotao (b.1999).

Many works in the exhibition have qualities representative of popular genres of Japanese graphic art such as pop art, photorealism and the combination of two Japanese words meaning 'bad, unskilled' and 'good', where something that appears bad, is actually, on closer inspection, good. However, moves beyond categories, instead responding to multiple positions and perspectives, in cheerful defiance of arbitrary distinctions. The work of actor-cum-artist Asano Tadanobu (of Marvel Studios fame) appears alongside that of tupera tupera, a husband-and-wife team who have illustrated some of Japan's most popular children's books.

invites guests to delight in the chaos, colour and creativity of Japanese graphic arts and print culture. This exhibition is a rare opportunity for UK audiences to experience the variety of Japanese illustration and graphic arts, through the works of leading artists from diverse disciplines and generations.

Simon Wright , Director of Programming at Japan House London, commented:

'This exhibition of new works explores the perhaps surprising variety and anarchy of the world of illustration and graphic art in Japan . Of particular interest is the underground concept of literally 'bad-good' – whose first proponents in the 1970s and 1980s challenged contemporary notions of what was 'ugly' or 'beautiful', the definition of art itself and the hierarchy of the art world.'

Co-curator Takahashi Kintarō commented:

'The present and the future of the creative essence of Japanese media art, unbound by genre or generation - welcome to the exhibition.'

Co-curator Hiro Sugiyama commented:

'The most significant movement in the world of Japanese illustration from the 1970s to the 1980s was that of . What is ' '? It was one concept proposed by one illustrator. The concept has influenced many creators. It has also had a tremendous impact on Japanese graphic art today. We hope that through the exhibition you will be able to enjoy a look at the true state of Japanese graphic arts.'

Japan House London is a cultural destination offering guests the opportunity to experience the best and latest from Japan . Located on London's Kensington High Street , the experience is an authentic encounter with Japan , engaging and surprising even the most knowledgeable guests. Presenting the very best of Japanese art, design, gastronomy, innovation, and technology, it deepens the visitor's appreciation of all that Japan has to offer. Part of a global initiative, there are two other Japan Houses, one in Los Angeles and the other in São Paulo.

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