Liu Bolin: Art Hacker
Comunicato Precedente
Comunicato Successivo
Recreating the imagery of human suffering and devastation of war symbolized in the painting Guernica, Liu Bolin's relives the history of the Spanish civil war, making a plea for humanity and freedom. In Mona Lisa (2016), Liu Bolin imbeds himself into the masterpiece as well as its historical legacy. Touching upon the fact that the work was stolen from the Louvre more than 100 years ago, Liu Bolin aims to reenact the "disappearing and reappearing" of the work through techniques behind the network. Provocatively challenging the viewer to question what is above and beneath the surface, the work intends to reflect upon the complex relationship between the past and the present, the reality and the illusion, as well as individuality and history.
Not only utilizing and analyzing the impact of the Internet, Liu Bolin also delves into other aspects in digital realm, blurring the boundary between art and technology evident in his installation Livestream Vest (2016). Attaching multiple smartphones onto a life jacket, the artist turns on the front cameras for unstoppable live-streaming. Reflecting and broadcasting what is happening while moving around, Liu Bolin merges into the environment mirrored on the vest. The work, therefore, becomes a quasi-invisible jacket wherein the artist turns into part of the social environment.
Employing physical and hyperlinked images, the exhibition explores the theme of illusionism. Actively "disappearing and reappearing," Liu Bolin issues an urgency through his works. Engaging with both online and offline formats, the artist foregrounds the man-made, the fabricated, and the deceptive, through which he probes into the mass production and circulation of information, and also questions where the power lies in today's ubiquitous networking.
Photo - http://photos.prnewswire.com/prnh/20161116/440458
Liu Bolin, Mona Lisa, 2016
Photo - http://photos.prnewswire.com/prnh/20161116/440461
Liu Bolin, Guernica, 2016
Photo - http://photos.prnewswire.com/prnh/20161116/440459
Liu Bolin, Tianjin Explosions, 2016